Tatort, "scene of the crime"

The motives of these photographs are usually taken from the television, because the flood of images freely flows into my apartment. The controlled blur (defocused) denies the viewer the exact information about the illustration. Mostly this is required of photographs. The blur is so focused that even the grain disappears, and the tonal values and colors are as fluent as in a photogram. Usually I take smaller changes in contrast and color balance on my computer. The single images of the multipart works are not in a recognizable, but understanding context. I want to give a push to start up the imagination of the viewer in any direction.