Color photographs of domestic interiors become visually detached from their original context and emphasize a psychological space more than its physical dimensions.
The images emphasize walls, windows, and other domestic surfaces and infuse them with a sense of palpable human presence. Employing straight-forward and random-double exposures establishes an unlikely pictorial space.
Domestic objects, such as bedding, shades, and electrical outlets provide content by conveying a sense of familiar intimacy, even though the viewer may be seeing these particular objects for the first time. The spaces contain the residue of human activity, and the formal containment imbues ordinary settings with a mysterious significance.