These photographs portray a group of college students seeking to explore and define their emerging identities. These young people have chosen an unusual path: they are all enrolled in the Reserve Officers’ Training Corps (ROTC). When joining, they are taught a set of values and expectations that adhere to a group philosophy. As they struggle to define their own identities, they are also presented with a well-established role to play. Like actors who perform according to a script and can transform their personalities on stage, these cadets are learning a military script that will not only teach them how to perform in the field but require them to adopt a new persona as their own.
I began to photograph cadets of different ages, from a range of universities in Boston, during their physical and mental training to become leaders in the U.S. Army. I am most drawn to depicting how individual identity and military persona coexist. Resonating within these images is this confluence of agendas, at times subtle and at other times quite apparent.
In my work, I explore the cadets’ success in adopting their roles, and look at the differences between freshman and seniors, men and women, and those who plan to become active and reserve officers. In my photographs, I explore the nebulous threshold between the individual personality and identity within the group.
— Alejandra Carles-Tolra
Stunningly original faceless portraits of laborers in Southern and East African farms, and a brilliant insightful text.
30 years after the Guatemalan Civil War, the modern-day descendants of the ancient Mayan civilization are still reeling from a violent genocide perpetrated against them. Today, locals look for their long-disappeared loved ones, many of whom were hidden deep in the earth.
“Right after the Fukushima nuclear plant accident, I found a blog about peacocks that were left in the evacuation zone .... I started imagining those peacocks, walking around the empty town with their beautiful wings spread. The image I had in my mind seemed so far away from what was going on in Fukushima. It was as if two different layers of images – the disaster scene and beautiful peacocks – were overlapping with each other without being unified.”
seeks to capture each fighter’s tension in those few lonely minutes between months of hard training and the ring.