Gallery owners and their staff are usually hidden behind large entry desks and closed office doors. But at the major art fairs I've visited, like New York's Armory Show and Art Basel in Miami and Switzerland, they're in plain view in their booths.
As if on stage, you can see art dealers meeting with collectors, selling and negotiating, talking on cell phones, working on laptops, and manipulating touch screens in 21st century postures newly adapted for the latest electronic devices.
I found the lighting, costumes, and set design excellent for photographing these living dioramas, where the art world plays itself.
— Andy Freeberg
Andrea Meislin Gallery, New York
June 26 - August 8, 2014
What does it mean to be Canadian? A female photographer breaks through the male-dominated genre of the road trip and produces an engaging photoessay that captures Canada as we've never seen it before.
Over one million displaced refugees have flooded into Iraqi Kurdistan—this touching photo-report tells the story of a group living out of two over-crowded hotels and their daily struggle to get by.
' body of work, Immortal, poses questions about obsessions with youth, beauty and impossible perfection in today's world.