Gallery owners and their staff are usually hidden behind large entry desks and closed office doors. But at the major art fairs I've visited, like New York's Armory Show and Art Basel in Miami and Switzerland, they're in plain view in their booths.
As if on stage, you can see art dealers meeting with collectors, selling and negotiating, talking on cell phones, working on laptops, and manipulating touch screens in 21st century postures newly adapted for the latest electronic devices.
I found the lighting, costumes, and set design excellent for photographing these living dioramas, where the art world plays itself.
— Andy Freeberg
Andrea Meislin Gallery, New York
June 26 - August 8, 2014
Living in the heart of Lisbon but very much on the periphery, this series documents the lives of people who have been forced to take shelter in seemingly abandoned buildings across the city. Factories, old homes, entire villages—ruined yet somehow barely clinging on to life.
captured moments of surreal dislocation as she traveled on the Trans Siberian Railway in the dead of winter. She savored her trip across seven time zones by taking "lo-fi" photos with her point-and-shoot camera.
A retrospective of Irish photographer Tom Wood's relatively unknown but remarkable landscapes.