Cy Twombly (1928-2011) — a celebrated painter and sculptor, but photographer as well — was American-born and educated, yet affectionately bound to European culture and sensibility. Inspired by Greek mythology and Mediterranean history, his work is rooted in the link between the past and present. While his musings on the past is at times blatant, like the litany of Greek figures ("Apollo Musagetes Phoebus Smintheus Agyieus Platanistius") scrawled on canvas, his reverence for history is more subtle in his photographic work.
The photographs, although chiefly serving as ideas and models for paintings or sculptures, reflect his thoughts on the past and the complex beauty of antiquity, in their own right. The photographs — soft, ethereal, colorful celebrations of fleeting moments — are inherently poetic. The photographs here make it clear how photography informed Twombly's successful career. We invite you to take time and pleasure in what you find in them.
— Catherine Rierson
Photos courtesy of The Lambert Collection in Avignon, France.
explores the dominance of media screens in contemporary life, and her images also refer to the narcissistic self-awareness expressed on social networks and the current approach to quick, light mobile photography that affects our visual culture.
How much visual information do we really need to see a picture and understand it? How do photographs define our memories, and what would happen if the photos started to lose their details?
The epic scale and scope of these pictures is matched by the magnitude of their subject material—modern megacities, mass exoduses, global consumerism and so much more.