Cy Twombly (1928-2011) — a celebrated painter and sculptor, but photographer as well — was American-born and educated, yet affectionately bound to European culture and sensibility. Inspired by Greek mythology and Mediterranean history, his work is rooted in the link between the past and present. While his musings on the past is at times blatant, like the litany of Greek figures ("Apollo Musagetes Phoebus Smintheus Agyieus Platanistius") scrawled on canvas, his reverence for history is more subtle in his photographic work.
The photographs, although chiefly serving as ideas and models for paintings or sculptures, reflect his thoughts on the past and the complex beauty of antiquity, in their own right. The photographs — soft, ethereal, colorful celebrations of fleeting moments — are inherently poetic. The photographs here make it clear how photography informed Twombly's successful career. We invite you to take time and pleasure in what you find in them.
— Catherine Rierson
Photos courtesy of The Lambert Collection in Avignon, France.
composes multiple photographs to establish visual paths that form displaced narratives, questions, juxtapositions and more lies. The algebraic numbering on the images is a forceful and assertive element that emphasizes an individual perspective that may or may not have meaning.
Resembling systems from the natural sciences—microscopic, topographic and celestial—these abstract photographs evoke beauty in their material nature and in their sense of mystery.
The hypermarkets of France sometimes look like consumerism on steroids. Photographertakes it one step further with his series of "shoppers" flying and floating through the aisles like superheros or astronauts. And yes, they are real photographs, no tricks.
An eclectic exhibition of photographic portraits made by two generations of Russian photographers.