The Hollow Hills festival was a huge musical and cultural event organized fully by volunteers. It started in the early 2000's as a sort of camping party for friends, and later became one of the most important independent open-air festival for all kinds of creative activity — from animation to music.
I discovered it in 2010 and loved it because of its extraordinary atmosphere. I noticed how the tissue of reality got thinner there and some other worlds became visible. Trying to document it was really a pleasure. Unfortunately, the festival was closed by the organizers in 2012 because it became too popular.
Young people used to go there to escape the routine. Obviously suppressed by reality, being malcontent with that, they always search for some way out. This festival was that kind of place — where some different rules were in force.
My series is not about a musical event, but about those who try to "break on through".
— Sergey Shubkin
befriended these two hermit-like elderly brothers, and documented their lives over many years in their small hamlet in rural Norway. Harald and Mathias Ramen lived together (seemingly all their lives), happily isolated from much of the rest of the world. The pictures speak volumes.
A new exhibition of Ara Guler, Turkey's best known photographer, challenges the artist's definition of himself as a photojournalist and debates photography's status as art or documentation.
Young boys in their early teens in the remote region of Skane, Sweden, have a ritual of gathering together in a large deserted field at night (some with their girlfriends) to drive souped up old cars at crazy speeds, in circles, kicking up dust and snow and the smell of burning rubber and oil and gasoline. A small masterpiece.