The Hollow Hills festival was a huge musical and cultural event organized fully by volunteers. It started in the early 2000's as a sort of camping party for friends, and later became one of the most important independent open-air festival for all kinds of creative activity — from animation to music.
I discovered it in 2010 and loved it because of its extraordinary atmosphere. I noticed how the tissue of reality got thinner there and some other worlds became visible. Trying to document it was really a pleasure. Unfortunately, the festival was closed by the organizers in 2012 because it became too popular.
Young people used to go there to escape the routine. Obviously suppressed by reality, being malcontent with that, they always search for some way out. This festival was that kind of place — where some different rules were in force.
My series is not about a musical event, but about those who try to "break on through".
— Sergey Shubkin
An old woman leads a cult-like community in the practice of Sufi rituals on a holy mountain in the far reaches of Kazakhstan. Photo-essay by.
On the border between East and West, Europe and Asia, Catholicism and Orthodoxy—these portraits from an almost forgotten village in Estonia offer a window into the past, into a culture that has all but vanished.
Through archival material, found photographs and dramatically staged portraits, this cerebral series offers a "confabulated" (yet highly personal) look at one of the darkest pages in Belgian history.
Emerald waters and sapphire skies—a former oasis of the Eastern Bloc, Lake Balaton forms the setting for this series of vibrantly colorful portraits.