Katherine Ware—photohistorian and curator at the New Mexico Museum of Art—chronicles and analyses the work of Frank Rodick from 1991 to 2010, from Liquid City to Revisitations. Concluding, she states that "the witnessing of the malady of being human—in its fulsome range of extremes, contradictions, and complexities—is perhaps the primary motivation for Rodick’s work."
Book Information
Publisher:
Deborah Colton Gallery