Because their making is never fully controllable, darkroom prints convey a sense of good luck and physical reliability that viewers with analog hearts tend to appreciate.
I grew up in the 20th century, the son of a kinetic light sculptor and grandson of portrait photographers who came to America from Poland after WWII. I live in San Francisco, where my work is exhibited at the Harvey Milk Photo Center, cafes and restaurants, and has appeared in the analog photography magazines "Salts and Metals" (2018) FindRangers #25 (2021) and #28 (2023).
