Marcus DeSieno is a visual artist who is interested in how the advancement of visual technology continually changes and mediates our understanding of the world. DeSieno is particularly interested in the unseen political ideologies embedded in this technology. He received his MFA in Studio Art from the University of South Florida and is the Assistant Professor of Photography at Central Washington University.

DeSieno's work has been exhibited nationally and internationally at the Aperture Foundation, Center for Fine Art Photography, Candela Gallery, the Fort Wayne Museum of Art, Rayko Photo Center, Center for Photography at Woodstock, and various other galleries and museums. His work has also been featured in a variety of publications including The British Journal of Photography, The Boston Globe, FeatureShoot, GUP Magazine, Hyperallergic, Huffington Post, National Geographic's Proof, PDN, Slate, Smithsonian Magazine, Washington Post and Wired. DeSieno's first monograph, No Man’s Land: Views From a Surveillance State, was published by Daylight Books in 2018.