The Matroska is brought to a universal symbol for the self and the individual who is alone and has to face needs and desires according to the ethic of consumerism, social media and politics. Therefore, the Matrioska is employed as the file-rouge for the entire work and exhibition and wants to captivate the observer’s attention through a contemporary and colourful style which is achieved through pastel colours and objects of the everyday life.
The overall result is an a-temporal dimension where colours and lights become protagonists like statues fixed in time, slaves of our times and our beliefs. What is shared is a silent figure that pukes a bill, a fetus between two homosexual cards, a family captured in a bird cage, and a übermensch (super-man) in an upside-down globe.
The metaphor therefore is the primary tool of communication, through simple objects and symbols the observer is invited to dive in an a-temporal dimension of the self and to immerse him/herself into the apparent beauty of colours that hide deeper meanings.