tthe Secret
I have been to Japan twice in the past three years.
I photographed the natural scenery and sacrificial rituals that I was interested in. These images and events seem to be hidden in my memory and constitute my daily experience, which is both mysterious and disturbing. In addition, a large number of Japanese art and movies also gave me a lot of inspiration.
I use documentary photography to capture images, make them into historical files, and constantly respond to my memories of the past. Then, I use collage, cinematization, point setting and other image technology, combined with Oriental aesthetics, in a perceptual way to re-set the meaning, deconstruct the past historical experience.
Either go back to the memory of history, or remain mysterious and create images. Images do not reveal the truth. History is only a secret.
秘密
在过去的三年里我去过两次日本。
我拍摄了我感兴趣的自然风光和祭祀仪式。这些影像和事件似乎隐藏在我的记忆中,构成了我的日常经历,既神秘又令人不安。此外,大量的日本艺术和电影也给了我很多灵感。
我用纪实摄影来捕捉图像,把它们制成历史档案,并不断地回应我对过去的记忆。然后,我运用拼贴、电影化、点位设置等图像技术,结合东方美学,以感性的方式重新设定意义,解构过去的历史经验。
要么回到历史的记忆中,要么保持神秘并创造图像。图像不能揭示真相,历史只是个秘密。