Kill Me With an Overdose of Tenderness is the result of several years collecting snapshots and screenshots from online posts, chats, Skype and WhatsApp calls. It’s a critical comment on image production and consumption today, as well as a visual exploration of gender, sexuality and technology. Crucially, the work looks at the way relationships and intimacy are lived and expressed through the internet. I was particularly concerned with the idea of self-representation: in an age where most of us have the ability to share images in an instant the Self becomes something that is performed online. This work seeks to open a discourse about how we use photography in an age of smartphones and self-publication.