BEHIND THE SCENES

To encourage seesighting, cities report what stands out, which acquires the connotation of a monument because it is what it can offer as a franchise and distinguishes it from the others and thus leads the tourist to feel attracted and therefore willing to visit it. And for this, hotels already predispose their clients with that main door that not only facilitates access to the hotel itself but also serves to establish the canonical relationship between the visitor and the city. But if by chance or not, you manage to leave through another place then you will come out to this alley that will take you towards the domestic, that which is not labeled as a relevant element but that if instead shows you how it really is what gives body and sustains the emergency that Robert Venturi proclaimed, and that is how in that society devoid of makeup and in its nudity, we find everything that is cooked behind the scenes and the spectacle of the city will emerge so that a more qualified reading emerges from what happens on the theatrical stage of that, a function or representation that may be more for foreigners or passersby than for locals to whom that relevance is no longer their own and not only do they no longer live there but their role is merely an occasional helper of the script to which they momentarily before our eyes it wanders or travels. This set of monochrome panoramic photographs illustrate this textured feeling of non-boxed vision of the place, a treasure that only those who disagree with the official have access to and to which the tour guide is waiting in the relevant concerted place to tell us the story that already It has been memorized and that thanks to the experience we may or may not assume and that as a result of this rebellion and when the main lights of the show are dimmed, we can enjoy an enriched perception of the place only available to those who with respect and attention have ventured to go beyond what was programmed ...