Venetian Blinds

Venetian Blinds depicts in intimate settings characters struggling with heavy emotions. Combining both photography and 3D, a question of reality and fiction is asked and creates a new dimension: it’s not a photograph showing what’s real but a photograph creating another world, with situations we feel are real but are not. The digital aesthetics opposed to the characters dealing with their feelings make us doubt the material and immaterial nature of the showed settings and characters. The ambiguity impacts the viewer looking at the picture and encourages him to question the likelihood of the scene. By conflicting two worlds in my aesthetic research, the photographs are not totally fictitious but are still attached to reality.