When Camilla called me to carry out this project she immediately told me that she wanted to tell fragments of herself. She wanted to be able to find her soul in photographs that told all the variations of her personality wandering in the spaces of her home, a farm in Puglia, wearing clothes collected in the flea markets, clothes that she wears when she is alone. This project is an attempt to tell a personal reality, fragmented, of a woman who wants to tell herself from many points of view. Each of these photos speaks of a deep connection that Camilla has with time and space, of a shard that does not necessarily have to stick to other shards. At the end of our little journey into Camilla’s world, she takes me to the space of her home, which is in the last photo, where she keeps her family’s antiques. Together with these she began to put his own, creating a space in which the time line becomes very thin, until it almost breaks. In this space, full of fragments of ultimacy, she chose not to forget the quality of the extreme horizon of human life, which is in the memory.
