Ready-made kaleidoscope

The road is a monotonous rail, the projection of a drive looking up to the clouds and street lights, captured on the wall of an abandoned dark mansion, is a kaleidoscope. In a smaller, more iconlike presentation, the photographs look like a digitally abstract or manipulated image, they are not, as the wall details appear. The colors and shifting shapes are randomized due to the instant capture of a DLP projection. How do we look at photographs, or to a broader extent, to images? "The user is no longer aware of the confronting medium, but instead stands in an immediate relationship to the contents of that medium" (Remediation, Jay David Bolter and Richard Grusin, 2000).