Urban Cathedrals investigates a reality outlined by the city space, a ‘non’ metaphorical place in which elements with an identity so defined as to be translated into conceptual topoi are contained; and as such capable of being rethought, transformed, repeated, while maintaining its own value of uniqueness and - rather -showing the infinite possibilities of an emblematic change. Acting according to the dictates of a 'sentimental education to the image', perspectives and visions merge by affection, which becomes 'invention' in the epiphanic instant of a new make, of visual regeneration.