The signs drawn on the transparent barriers in the city are arbitrary, indecipherable and pervasive as an obsession. It is something that we all know and of which we may even have a negative opinion, but they are an expression of a world that inhabits the same places where the urban routine takes place. Two realities that do not dialogue but that, in some way, interpenetrate and overlap. If we look at them together, in a single frame, they add a paratext or punctuation that gives an expressive intonation to the scene.
My first intention is to present a coherent whole that can be read with a single glance like a mosaic tile. Editing aims to optimize the combination of images in the case of a sequential reading.