When the Sun goes down We see Lemons (2019-) explores togetherness, intimacy, and definitions of femininity through collaborative and performative self-portraits. When stepping on the other side of the camera the boundaries between the photographer and the subject disappear. The result is a space filled with extraordinary empathy, warmth, and utterly engaging, strong characters. These inherently female subject matters unfold a universe that celebrates divergent expressions of femininity, and thus actively deconstructs them through humour, intimacy, and playful dress-up. As the self becomes theatricalized, the poses are decomposed. This deliberate confusion of aesthetics and visual codes calls strongly into question the normative Western canon of feminine codes: ways to be and ways to be seen.