I investigate unconventional materials for photographic prints. Through experimentation I found a visual narrative where texture and image describe each other, generating uniqueness that bypass the inherent reproducibility of photography.
In Misty Mountain, I applied liquid light on the surface of stones, marbles, and fiber paper, making them sensitive to light. Those images of trees, mountain, and water were aliened in the fragile qualities of the emulsion, crumble, fade, and become new again. These anonymous landscapes possess their own traces and thickness, like painting like sculpture, where material/object and image merge into one in the process of cross referring.
The earth, the sky, the stars, the ocean, the mountains, the river and the forest are all etched in stone by nature.
The pattern of marble, speaks of the texture of the mountain, and the shape of the stone echoes the silhouette of the island. I present a scene that across the barrier of time, and surpass the representation of landscape. It is an expression of material, with a sense of longing, transcript by the misty landscape.