I am not particularly interested in a single (unique) moment, a single (exceptional) image, or a single (specific) point of view. I am interested in complicating the idea of the single image, and of the singular experience of time and place, by finding ways to inject simultaneity and multiplicity into photographs, objects, and actions. I am interested in duration. I am interested in memory. I am interested in looking.
My work addresses the complexity(ies) of locating oneself physically and temporally in the world. It usually relies upon manipulations such as doubling and/or halving, of seeing two or more things simultaneously, and of not being able to see the whole of either one. Consider the (im)possibility of being able to look forward and backward, left and right, or at the front and back of something — at the same time.