Distant Early Warning Line

My work ranges from ephemeral public installations/interventions using text on theater marquees (see my series Thought on Romance from the Road) to research-based studies of landscape, architecture and/or public space. I make large scale color photographs that reflect human intervention, whether historical and/or ideological. My interests lie within the discernable differences regarding public vs private land ownership, goal-driven uses of land and public space, and the visible effects of these factors. I am drawn to making photographs that contain elements of the past and indications of the future, both of which are at odds with what I and the viewer experience as the present within each image. I am currently immersed in a body of work that concerns the extreme effects of human instigated climate change in different parts of the world and how communities are experiencing the present as well as preparing for the next 50 years. I am working on a book of photographs made in Greenland in 2022 and looking to follow this with photobooks of other parts of the world that are affected differently.