“Infernal cartography was considered an important undertaking for the architects and mathematicians of the Renaissance, who based their calculations on the distances and proportions described by Dante. The exact depth and circumference of Hell inspired intense debates, despite the fact that all calculations, no matter how sophisticated, were based on a work of fiction.
Galileo Galilei delivered extensive lectures on the mapping of Hell. He applied recent advances in geometry to determine the exact location of the entrance to the underworld and then figured the dimensions that would be necessary to maintain the structural integrity of Hell’s interior.
It was the age of the golden rectangle—the divine proportion. Mathematics revealed God’s plan. But the very use of numbers required a religious faith, because one could drop off the edge of the earth at any point. The boundaries of the maps at that time faded into oceans full of monsters.
Imagination is treacherous. It erases distant continents, it builds a Hell so real that the ceiling is vulnerable to collapse. To be safe, I think I should only map my pain in proportion to pain I have already felt.
But my nerves have short memories. My mind remembers crashing my bicycle as a teenager, but my body does not. I cannot seem to conjure the sensation of lost skin without actually losing skin. My nerves cannot, or will not, imagine past pain—this, I think, is for the best. Nerves simply register, they do not invent.
After a year of pain, I realized that I could no longer remember what it felt like not to be in pain. I was left anchorless. I tended to think of the time before the pain as easier and brighter, but I began to suspect myself of fantasy and nostalgia.
Although I cannot ask my body to remember feeling pain it does not feel, and I cannot ask it to remember not feeling pain it does feel, I have found that I can ask my body to imagine the pain it feels as something else. For example, with some effort I can imagine the sensation of pain as heat.
Perhaps, with a stronger mind, I could imagine the heat as warmth, and then the warmth as nothing at all.”
From ‘The Pain Scale’ (2005), by Eula Biss