The Room and the Photographs investigates the intertwined relationship between perception, space, and photography. Initially, observers were placed inside a room to witness the raw essence of photography in the camera obscura. The digital evolution has reshaped the ontology of the medium and provided an entirely metamorphosed experience—observing photography with a detachment from reality.
By resembling the act of painting, I assemble the meticulous collision of physical photographs and computer-generated imagery. These domestic spaces break from their inherent perspective, familiar yet strange, fractured yet imbalanced. My photographic constructions, part memories, part materiality, attempt to reveal a complexity of perception in the realm of photography.