The large-format photo installations focus on the deconstruction of inner structures and architectures, considering the special light conditions that can be experienced for a short time during the transition from day to night in the so-called blue hour.
The change of spaces of being is also comparable with the transition to other aggregate states, as can be observed, for example, when matter changes into plasma. This fascination was the decisive factor in naming the photo project "Plasma". My visual language and the merging of colors and forms can also be experienced on a further level against the background of my thematic examination of the "Tao of Architecture" by architect Amos Ih Tiao Chang.
“At this point, it is necessary to say that visual objects are not as static as we might carelessly think they are. Actually, they have life. They have life because their existences are complementarily inter-related to and influenced by each other; because they are subject to transformation due to the transfusion of between brightness and darkness, and because they are experienced by life.”
Amos Ih Tiao Chang in The Tao of Architecture