My photographic journey began in Brazil, where I was introduced to psilocybes, hallucinogenic mushrooms that guided me towards self-discovery and healing. These mushrooms led me to reconnect and fostering a deep reconciliation with nature. Through these experiences, I developed a profound symbiotic connection with the environment.
In a polluted beach, I sensed the anger of Yemanja, the sea goddess in Candomblé, and felt a spiritual connection with her and other deities. After every trip I documented the visions and emotions that emerged during these journeys. Later on, I recreated these mystical encounters, blending personal and ecological reflections.
As the project progressed, I revisited critical sites in Brazil, such as the Amazon rainforest and the Maraú Peninsula, confronting ecological and issues. I adopted experimental techniques, like using infrared film and burning negatives, to capture nature's fragility and beauty. This project became a transformative exploration of the intersections between nature and human footprint. It deepened my commitment to using art to address ecological concerns, expanding my artistic practice and understanding of the world.
