Our life experience states that under the shell of a product known since childhood there is the product itself of a certain taste, smell, texture, colour. All this is familiar to us thanks to our senses and stored in our memory. We just know it, we don't need to see it.
The mimicry of the cellophane bag is due to the fact that we have stopped noticing how much it has settled in our lives, which can easily become an element of a classical still life. Its quantity in the life of a modern person is astounding.
For me, this project is a reflection, a project-game about ‘the circulation of cellophane in nature’. Now it seems that cellophane has entered human life seriously and for a long time. But at the same time there is a fear of microplastics in food. With more and more thinking about healthy food on their table, it seems that consumers are still unable to give up the convenience of cellophane packaging.
Where in these fears is the myth and where is the real problem of environmental pollution?
Is the convenience of consumption so far overpowering our fears of nature pollution?
In my photos, the cellophane (bag) is invading the product, somewhere replacing it completely and somewhere partially. This is the same bag that previously protected the same product and helped it reach the human table. By exaggeratedly showing cellophane instead of the usual products, I invite the viewer into my play and reflection.
The project is possible to continue, and the viewer can even continue the visual series, creating (virtually) such inversions and substitutions in his or her head.