Humanism and sensuality from Renaissance to the XIX century

Photos (78)

Michelangelo Buonarroti (1475-1564), David (1501-1504). Marble. Detail. Firenze, Galleria dell'Accademia
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Michelangelo Buonarroti (1475-1564), David (1501-1504). Marble. Detail. Firenze, Galleria dell'Accademia
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Michelangelo Buonarroti, Captive, known as the Dying slave (Marble 1513-1515). Reproduction. Paris, Métro Rivoli
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Michelangelo Buonarroti, Captive, known as the Dying slave (Marble 1513-1515). Reproduction. Paris, Métro Rivoli
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Michelangelo Buonarroti (1475-1564), Bearded slave unfinished. Part of the series I prigioni (Marble 1520-1523). Firenze, Galleria dell'Accademia
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Michelangelo Buonarroti (1475-1564), Bearded slave unfinished. Part of the series I prigioni (Marble 1520-1523). Firenze, Galleria dell'Accademia
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Michelangelo Buonarroti (1475-1564), Atlante unfinished. Part of the series I prigioni (Marble 1525-1530). Firenze, Galleria dell'Accademia
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Michelangelo Buonarroti (1475-1564), Tomb of Lorenzo de Medici duca di Urbino. Plaster (1526-1531) Part. Aurora. Milano, Accademia di Belle Arti di Brera
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Buste de femme en médallion (d'une maison de la rue du College à Vienne (Isère) (1532). Lyon, Musée des Beaux Arts
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Jean Goujon (known from 1540 to 1567), Relief coming from the base of the Fontaine des Innocents (Paris) (Stone 1549). Paris, Musée du Louvre
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Jean Goujon (known from 1540 to 1567), Relief coming from the base of the Fontaine des Innocents (Paris) (Stone 1549). Paris, Musée du Louvre
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MIchelangelo Buonarroti, Pietà di Palestrina (Marble 1550-1560). Firenze, Galleria dell'Accademia
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Germain Pilon (known after 1540 - died 1590), The Resurrection (Marbre unfinished about 1572). Paris, Musée du Louvre
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Attributed to Christopher Cochet (attested after 1606 - death 1634), Didon. Marble, date unknown . Paris, Musée du Louvre
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Gian Lorenzo Bernini (1598-1680), Ratto di Proserpina. Marble (1621-1622). Roma, Galleria Borghese
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François Anguier (1604-1669), Funerary monument of Jacques de Souvré (Marble about 1667). Paris, Musée du Louvre
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Pierre Lepautre (1659/1660-1744) and Jean-Baptiste Théodon (1646-1713), Arria and Poetus (Marbre 1685-1691). Paris, Musée du Louvre
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Antoine Coysevox (1640-1720), Amphitrite (Marble 1699-1705).  Paris, Musée du Louvre
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Attribué à Pierre 1er Legros (1629-1714), L'eté - The summer. Marbre. Paris, Musée du Louvre
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John Nost the Elder (active 1680s-1714), The crouching Venus (Marble 1702). Detail. London, Victoria and Albert Museum. V&A
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Giuseppe Mazzuola (1641-1725), Death of Adonis (Marble 1680-1709). Detail. Saint Petersburg, Hermitage
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Laurent Delvaux (1696-1778), Vertumnus and Pomona (Marble about 1725). Detail. London, Victoria and Albert Museum.
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Vincenzo Foggini (first years of XVIII century -1755), Samson and the philistines. (Marble, about 1749). Detail. London, Victoria and Albert Museum. V&A
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Vincenzo Foggini (first years of XVIII century -1755), Samson and the philistines. (Marble, about 1749). Detail. London, Victoria and Albert Museum. V&A
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Vincenzo Foggini (first years of XVIII century -1755), Samson and the philistines. (Marble, about 1749). Detail. London, Victoria and Albert Museum. V&A
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Jean-Baptiste II Lemoyne (1704-1778), Vertumnus et Pomona (Pierre 1760). Detail. Paris Musée du Louvre
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Ignace Broche (1741-1794), La Pleureuse. Fragment du mausolée du Marquis du Terrail (Marble about 1778). Paris, Musée du Louvre
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Joseph Nollekens (1737-1823), Diana the Huntress (Marble 1778). London, Victoria and Albert Museum. V&A
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Jean-Baptiste Stouf (1742-1826), Abel expirant - Abele dying (Marble 1785). Paris, Musée du Louvre
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Jean-Baptiste Stouf (1742-1826), Abel expirant - Abele dying (Marble 1785).  Detail. Paris, Musée du Louvre
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Joseph Chinard (1756-1813), Centaure dompté par l'amour - Centaur tamed by love (Marble 1789). Detail. Lyon, Musèe des Beaux Arts
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Thomas Banks (1735-1805), Thetis dipping Achilles in the river Styx (marble 1789). Detail. London, Victoria and Albert Museum. V&A
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Joseph Chinard (1756-1813), Perseus rescuing Andromeda (Marble unfinished, vers 1791).  Detail. Lyon, Musèe des Beaux Arts
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Antonio Canova (1757-1822), Ebe (Plaster 1796). Milano, Galleria d'Arte Moderna. GAM
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Camillo Pacetti (1758-1822), Minerva infonde l'anima all'automa di Prometeo (Marble 1806). Milano, Galleria d'Arte Moderna. GAM
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Bertel Thorvaldsen (1770-1844), Ebe (1815 ca, dal modello in gesso del 1806-1807). Marmo.  Copenaghen, Thorvaldsens Museum.
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Bertel Thorvaldsen (1770-1844), Le grazie con Cupido. Marble, 1807-1819. Copenaghen, Thorvaldsens Museum.
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Antonio Canova (1757-1822), Genius of death head. Marble, 1791.  Exh. Canova e l'antico.  Napoli, Museo Archeologico Nazionale
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Antonio Canova (1757- 1822). Cupid and Psyche (1800-1803). Marmo. Detail. Saint Petersburg, Hermitage
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Antonio Canova (1757-1822), Napoleon (Marble 1804-1809). Milano, Soprintendenza Archeologia, Belle Arti e Paesaggio per la città metropolitana di Milano.
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Antonio Canova (1757-1822), Le tre grazie (Marble, 1812-1817). Detail.  Saint Petersburg, Hermitage.
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Innocenzo Fraccaroli (1805-1882), Achille ferito. Achille wounded. Marble (1842). Detail. Milano, Galleria d'Arte Moderna. GAM
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Bertel Thorvaldsen (1770-1844), Le grazie con Cupido. Marble, 1807-1819. Detail. Copenaghen, Thorvaldsens Museum.
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Bertel Thorvaldsen (1770-1844), Caterina Branciforte (1816) Marmo. Copenaghen, Thorvaldsens Museum.
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Bertel Thorvaldsen (1770-1844), Pastorello (1823-1826, from plaster of  1817). Marble. Detail. Manchester Art Gallery.
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Giovanni Ceccarini (1790-1861), Canova sedente in atto di abbracciare l'erma fidiaca di Giove (1817-1820). Detail
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Antonio Canova (1757-1822), Venere (1817-1820). Marble. Detail. Leeds Art Gallery.
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Antonio Canova (1757-1822), Venere (1817-1820). Marble. Detail. Leeds Art Gallery. Detail
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Bertel Thorwaldsen (1770-1844), Cenotafio  alla Contessa Anna Maria Porro Lambertenghi. Marble, 1818. Detail. Milano, Galleria d'Arte Moderna. GAM
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Bertel Thorwaldsen (1770-1844), Cenotafio  alla Contessa Anna Maria Porro Lambertenghi. Marble, 1818. Milano, Galleria d'Arte Moderna. GAM
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Bertel Thorwaldsen (1770-1844), Cenotafio  alla Contessa Anna Maria Porro Lambertenghi. Marble, 1818.  Detail. Milano, Galleria d'Arte Moderna. GAM
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Antonio Canova (1757-1822), Vestalis (Marble bust post 1818). Milano, Galleria d'Arte Moderna
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Bertel Thorvaldsen (1770-1844), Mercury on the verge of killing Argo (1821-1829, from model of 1818). Marble. Detail. Cracovia, Museum Narodowe.
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Bertel Thorvaldsen (1770-1844), Mercury on the verge of killing Argo (1821-1829, from model of 1818). Marble. Cracovia, Museum Narodowe.
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Camillo Pacetti (1758-1826), Ganymede with the Eagle of Jupiter (1819). Marble. Detail. Cremona, Palazzo Bolzesi Mina
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Bertel Thorvaldsen (1770-1844), Ganymede (1819-1824). Marble. Detail.  Saint Petersburg, Hermitage.
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Bertel Thorvaldsen (1770-1844), Ganymede (1819-1824). Marble. Detail.  Saint Petersburg, Hermitage.
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Rudolph Schadow (1786-1822). The Weaver. Marble (1820). Milano, Galleria d'Arte Moderna. GAM
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Rudolph Schadow (1786-1822). The Weaver. Marble (1820). Milano, Galleria d'Arte Moderna. GAM
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Jean François Legendre-Héral (1796-1851), Leda. Marbre (1820-1830). Lyon. Musèe des Beaux Arts
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Bertel Thorvaldsen (1770-1844), Nesso kidnapping Deianira (1821-183). Marble. New York, Metropolitan Museum.
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James Pradier (1790-1852), A son  of Niobe, later called Wounded Niobe (1922). Marble. Salon de 1822.  Paris, Musée du Louvre
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Jean-Baptiste Vietty (1787-1842), La Nimphe de la Seine. Marble (1822-1827). Lyon, Musèe des Beaux Arts.
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Jean-Baptiste Roman (1792-1835), Nisus et Euryale (1822-1827). Marbre. Detail. Salon de 1827.  Paris, Musée du Louvre
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Mathieu Kessels (1784-1836), Venus coming out of the bath (1825-1829?). Marble. Detail. Saint Petersburg, Hermitage.
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James Pradier (1790-1852), The three Graces. Marble (1829-1831). Detail. Paris, Musée du Louvre
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Pompeo Marchesi (1783-1858), Maddalena. Plaster (post 1826 - ante 1831).  Milano, Galleria d'Arte Moderna. GAM (2017).
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Louis Petitot (1794-1862), Jeune chasseur blessé par un serpent. Marble (1824-1827). Detail. Salon de 1827.  Paris, Musée du Louvre
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Denis Foyatier (1793-1863), La Siesta (Marble 1848). Répétition du marbre présénte au Salon de 1834. Detail. Paris, Musée du Louvre
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Cincinnato Baruzzi (1796-1878),  Eve tempted by the snake. Marble (1837). Milano, Galleria d'Arte Moderna. GAM
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Cincinnato Baruzzi (1796-1878),  Eve tempted by the snake. Marble (1837). Milano, Galleria d'Arte Moderna. GAM
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Edward Hodges Baily (1788-1867), Maternal affection. Marble (1837). London, Victoria and Albert Museum. V&A
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Giovanni Strazza (1818-1875), Ismaele  abandoned in the desert.(Marble 1844-1850). Milano, Galleria d'Arte Moderna. GAM
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Giovanni Strazza (1818-1875), Ismaele  abandoned in the desert.(Marble 1844-1850). Detail. Milano, Galleria d'Arte Moderna. GAM
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Giovanni Maria Benzoni (1809-1873), Cupid and Psiche. Marble (1845). Detail. Milano, Galleria d'Arte Moderna. GAM (2017).
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Giovanni Maria Benzoni (1809-1873), Cupid and Psiche. Marble (1845). Detail. Milano, Galleria d'Arte Moderna. GAM (2017).
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Auguste Clésinger (1814-1883), Femme piquée par un serpent. Marbre. Salon de 1847. Paris, Musée d'Orsay
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Auguste Clésinger (1814-1883), Femme piquée par un serpent. Marbre. Salon de 1847.  Detail. Paris, Musée d'Orsay
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