Building object sculptures in the camera is a pictorial aligning of the inner with the outer. We all carry an inner construct that interrupts the free flow of experience.
These images combine the image focused through the lens with assemblages created within the bellows of the camera. The hidden constructs shadow, impede, align with, and otherwise alter the projected image of the outside world.
8x10 Color Polaroid, 1990, New York, New York.