The Gift
Project info

Truth is stranger than fiction.

They say you should follow your dreams.

Stephen pursued photography through a passion ignited by a dream he had as a child.

In all my work, viruses and disease in society is at its core. Each project has a dual narrative with a personal intimate story alongside the bigger broader societal theme.

The Gift is a Story of the Unglamorous and the Overlooked.
The eye of the beholder rarely only sees beauty. If really looking, it will instead see despair, frailty, fear, loss, and a tremendous amount of imperfection. These are the things that I direct my lens towards: the human, the “raw and real” of life and society. I don’t seek to glamorise my subjects or their environment; I observe, assess, calculate and look, with declared empathy, from a distance, which is not only necessary to this photographic genre, but has the value of preserving dignity while maintaining the viewers curiosity for more.

It is piece of visual recording and storytelling that reaches into the depths of normalcy, certain to find its manifold inversions. With carefully calibrated doses of everydayness and disillusion, The Gift is a story of life and death, of desire and the inability to avoid it; a story of self-destruction brought on by the brutal honesty of repeatedly failed attempts at self-fulfilment.

It runs alongside issues of postmodern perceptions within veracious conformity. There are overarching themes that allude to social cleansing through otherness.

I empathise with so many aspects of such vulnerability, as it is a personal reflection of myself, my 'black mirror', which I have had to endure. In all my work there is a synchronicity that aligns with recent events. In both my life and contemporary society at large.

The gift that keeps on giving.

I would like to exhibit these prints and others where possible within a gallery exhibition including sound interactive images sealed in airtight containers . I would hope to treat them with outside contaminates that would slowly alter the image but not destroy it straight away (don’t kill it, ill it) and reveal a second hidden image which mutates over time offering a metaphoric control to the watching audience that reflects its narrative.


By using a poetic dual narrative, Stephen aims to reveal truths, a terrible veritas of treatment at the hands of trusted people. Stephen will keep doing what he loves as long as he is able and if he can help stop one person from experiencing similar abuse then it will have been worthwhile.

He hopes that his work will help others. Voicing its message.