The collection of Chun Wai’s works in this book is an attempt to “interpret the lives of local people today using a broad historical framework”. Indeed, his images are remarkably full expressions of the organic details of life: strangely saintly-looking Indians strolling down a road; a solitary Afghan weightlifter; boats stranded on parched periphery of the Aral Sea; an angelic girl amidst gravestones in Manila; scenes of disjointed, dreamlike reality from the urban landscape of Hong Kong. Throughout, Chun’s camera lens reconciles the extreme possibilities of interpretation, preserving the ambiguity of images, and striking a balance between strength and beauty.