When I came to Boston, it was a black and white town, with a tint of brick. Color photography remained suspect, if yet to be considered art. But Paul Simon had his Kodachrome, and so did I. Only recently have new pigment printers been able to portray the subtlety of its colors. In this series, expressive neutrals, richly warm pastels, truth in earth tones, bright reds, varietal greens, shaping blues contribute to convey these colors of memory.