Intimate Concrete

Intimate Concrete was not generated from a preconceived idea, or from a literal line of thought. It was generated from an obsession, if we can call in that way to an aesthetic fixation caused for an aleatory novelty: an ordinary object that became extraordinary. Every day, and for about a year I walked in front of an old building from the 50´s, without looking at it. From one day to another my sensorial experience transformed it in a centre of recurrent looking. I saw it. CONCEPTUAL FRAMEWORK: To emphasise the way of looking at the art-object and experiment it as part of an occurrence that fits within a quotidian aesthetic it is the theorical corpus that proposes this visual project. It is about understanding the continuity between art and life, where a simple happening could be transformed in an aesthetic experience. Discerning in this way that a quotidian aesthetic is an always present dimension of the human existence.