Submission

I wandered deep in the forests of Germany, Poland, and Korea, and I photographed my selected locations from frontal and rear perspectives separated by 180 degrees. The results are prints and video installations that capture two sides of a forest scene through the merging of my camera and my eye into a tool at the intersection of the space with light and time. Projected upon a large format black and white composite image of paired front and back views are sequenced color images of the same scene photographed in my strobe-light production dance. The resulting videos reveal flashes of strobe-lit forest scenes in tandem with audio from my movements.