200 DAYS INSIDE

So often we numb ourselves with false smiles and superficial images. It seems to me that putting away the pain of our eyes and the eyes of others is the most chosen among those who prefer not to feel. The work brings as a proposal, to feel. Understand and expose. And so encourage the viewer to feel and also face their anguish and acute. Feeling makes life pulse deeper, denying pain is like living on the surface, inert. The "200 days inside" was born of pain. As in a Shakespearean poetry poem, the artist is forced to move away from the great love of her life for 200 days. In this period, besides the production of images and texts to account for the aggressiveness of an imposed distance, the artist understands that the exposure of the feeling was necessary. That even closed to the world, his images invite to a dialogue. A reflection on understanding and facing what hurts. An invitation for the viewer to see and face. A poetic work, sensitive and profound. The technique chosen for this work is that of hybrid photography, the mixture of photography with other artistic languages in order to give materiality and gesture to the printed work. Research is done to rust the image, re-photographing, sanding paper and dialogues with water.