The call of my fetish object -without glasses neither interphases-

Here the object –vestiges of an avantgarde architecture contained in this photographic serie- is intervened or re-interpreted by the artist who proposes a hybrid aesthetic fed with the juxtaposition of elements coming from the different disciplines that fuse together in each one of the pieces presented in this collection, as photography, freehand drawing, graphic art assembly or montage, causing in this way an organic deconstruction of the original image, where now, lines, forms, layers and textures created and drawn by the artist allude to a stray language, who creates a sort of graffiti allegory or metaphor that emerges based on what the original concrete of the building already has: its bruises, the wear given by the pass of time, the stains, the soot, its geometry, which ones inspire in the photographer an experimental, ludic and conceptual imaginary able to bring the photograph to a total and new magnitude, where each image that comes up is unrepeatable since the instance in which is created and where the proposed style and aesthetic speak from the integration of a yesterday-before to a now-after, two powerful points of view that transcend time and space and give rise here and now to a dynamics of continuity.