Shadow of the self

Shadow of the self is born from a simple premise: Each one of us is the superpose of slices of time and space (our lives are the sequence of all those layers which are directly related to each other). We can’t conceive our lives without the sequence (and the order of that sequence) which ends with our actual self. This conceptual premise is interpreted through the implementation of one or two XIXth century techniques: The salt print and sometimes the gum print. Each photograph is build employing two or more negatives (slices of different times and spaces of the same person) printed and then exposed like one in contact with the sensitized paper. The resulting image is one in which all the layers are imbricated and you can't separate each one but instead at the most, you can try to intuit each instant from the whole.