About
Rebecca Horne
Featured on LensCulture
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Blending self-portraiture, still life, and mythic gesture, Rebecca Horne’s “Clay Feet” charts the unstable terrain of transformation as an embodied act of making, unmaking, and reclaiming the female image.
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These images start as drawings, then become temporary constructions that are photographed and then become flat again — playing with the illusion of depth and volume on a 2-dimensional picture plane.
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Rebecca Horne arranges everyday objects into illusion-filled still lifes and tableaux, creating worlds of unexpected visual relationships.
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A paradox lies at the heart of great portraits: intellectually, we know a photograph can’t actually “capture” anything, but emotionally (and spiritually), we can’t help but keep looking for some kind of truth…
Rebecca Horne's Projects on LensCulture
Rebecca Horne's Books