Wolfgang In Der Wiesche's Projects
View from the street into the window of a Café with reflections, shot in march, 2026 while strolling through the city center of Xiamen, China. Four faces.
The series 'panoramic distortion experiments' is an ongoing project, pushing the technical possibilities of an iphone beyond limits, allowing technical errors, artefacts and coincidences to happen and create special athmospherical compositions and images of a world that is increasingly falling apart but that celebrates the beauty in the process.
A rose placed in the Wadden Sea for my mother, who wished for a sea burial near the island of Neuwerk. Shot in August 2025. Digital photograph | in collaboration with K | 08/2025
from the series: BILDER DIE NICHTS WERDEN | PICTURES THAT DO NOT WORK OUT, 2024 presented at the 2024 Pingyao International Photography Festival, curated by Tjomas Kellner. Analogue photography using old cameras and superimpositioned slide films, high res digitalisation. Shot in Braunschweig, Ölper See, 2021. ww 2021 | OKER BLUE | analogue photography | Analoge Fotografie | digitalised | Inkjet Print | 100 x 67 cm | 2021 | edition 15
from the series: reflected self shot with an iphone s6 in June, 2022 in Aachen, Aix La Chapelle, Germany © ww 2022 | smiling self | mobile photography | WW 06/2022
shot in April 2024 through a window during rainfall at the Belgian coast.
a series observing the damage on the windjammer SEUTE DEERN highlighting details and situations of the ship, sunk in the harbour of Bremerhaven in 2019, later on removed and demolished
shot in October from Église Saint-Vincent, Montreux shortly before sunset BERGE VON ARAVIS - Montreux | digital photograph | edition | pigmented inkjet print | 10/2021
self portrait shot in April 2021 inside the installation NO LIGHT NO SHADOW, created by Ana Sous, Maren Hoch, Petra Geiser, Frau Steph, Wolfgang in der Wiesche during lockdown inside a brothel in Aachen, Aix La Chapelle SELF NO LIGHT NO SHADOW | digital photography | pigmented inkjet print | edition | 04/2021
a series observing the damage on the windjammer SEUTE DEERN, sunk in the harbour of Bremerhaven, later on removed and demolished
shot with an iPhone in Nov., 2020, an old school light bulb in full beauty... LIGHT BULB | mobile photograph iPhone 6S | open edition | 11/2020
shot in September 2019 in the port of Bremerhaven, Germany during a residency at Wilke Atelier Bremerhaven pigmented inkjet print on Epson Archival Matte Paper, image 30 x 45 cm, edition of 30
a minimal twin flower arrangement (by K) in the dark two buds (arranged by K) | digital photography | pigmented inkjet print on archival matte paper (30 x 45 cm | edition | WW 01/2021
shot on the beach in Kerala in humid air in the evening light on Jan., 1, 2004 with a small Olympus C-40 Zoom, my travel camera during the years of stay in India
shot Feb, 2018 in Ranong, Thailand from open water. A ship will come, or maybe not...
The idea: Pictures that turn into nothing. I.e. pictures that I would probably have sorted out of the film developments I had received in the analogue age... Dealing with old camera technology, Exacta Varex IIb, (also with mechanical defects) without further experience and the use of the superimposed material (the films are from earlier Asian stocks, have been through heat, humidity, drought, refrigerator...) bring coincidence, unplanned incidences of light, discolourations in the pictures. I noticed I should have a personal, emotional connection to the chosen locations/landscapes. In the case of the Harz mountains, the dramatic change, "erasure" of the Harz, with which I grew up with, is the main focus. The magical spruce resin no longer exists any more, or only at certain points. What about it was/is nature, what cultural influence etc... photographed analogue (2020), scanned in high resolution (2021), processed as little as possible (2023), printed digitally pigmented inkjet print, 80 x 120 cm, limited edition
two photographs of rediscovered b&w photographs, taken 1983 backstage in preparation of my first rock band live gig with ChaCha at the Architakel, Braunschweig, Germany. Original photographs were taken by my girlfriend at that time, Billie, who died of cancer on January, 1st, 2018. Dedicated to Billie. Not manipulated or retouched. self by Billie, ChaCha I | digital photograph | pigmented Inkjet print | 30 x 45 cm | 03/2021
shot on January,2nd, 2017 on a snowy day, this little creature should have been sleeping it's winter sleep, but climate change already kept it awake...
photograph taken Oct., 2017, painting "sqare scape", acrylics on canvas, 20 x 20 cm, sold to a collector in Aachen, Germany
a series created for the multi media installation AUTO IM MO RT AL in 2015, photographs taken by collaboration partner Nikolaus Gojowczyk-Groon in a forest in Braunschweig, Germany, next to the Autobahn to Berlin...
red signal in harbour, shot during a residency in September/October 2019 at Wilke Atelier, Bremerhaven RED SIGNAL BRHV | pigmented inkjet print on archival matte paper | 30 x 45 cm | edition of 30 | 30 available | 09/2019
Shot in November 2020 documenting a Germany - Japan video call, a family portrait and an expression of closest friendship.
Shot 2019 during a residency in September/October 2019 at Wilke Atelier Bremerhaven
KREUZFAHRER | cruise ship is a mini series, shot at the Columbus Terminal in Bremerhaven during a residency at Wilke Atelier, Bremerhaven September/October 2019. Few months later corona came...