Through thoughtful, deliberate sequencing, seemingly unrelated photographs take on fluid, open-ended meanings which come to life in the imaginations of each viewer.
Clearing a Space: Understanding the Many Indias Through the Home
Much has been said about the colonial gaze on India—but what does the country look like from the inside, especially from the space of the home? This interview presents five deeply personal and...
The Transnistrian Patriot
Unrecognized by any UN state — these Transnistrian separatists remain caught between Soviet history, current isolation and a dream of annexation by Russia.
A Place Called Home: The Squatter Communities of London
A multi-faceted group portrait of London’s squatter scene. From an old greenhouse to the 5-story “Castle,” this project shows how communities are capable of transforming almost any space into a “home.”
Cathedral of the Pines
Utilizing his signature cinematic aesthetic—but applying it to a smaller, more personal scale—Gregory Crewdson’s latest work is as enchanting as ever.
House of Charm
What is normal, who is crazy—and who decides? In this nearly decade-long documentation of a local eccentric, we find a fascinating, confident individual who throws into question our standards of normalcy.
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Fire of Hatred
In Iran, some vengeful lovers, spurned suitors or aggrieved family members turn to the awful, violent act of acid-throwing to exact revenge. This portrait series gives a platform for the victims to speak out.
In My Backyard: Iceland
Set against the grand, wild majesty of the eastern Icelandic landscape, these searching self-portraits are one woman’s attempts to connect with herself and forge a basic understanding with her environment.
A new, larger-than-life book of less-than-glamorous street portraits proves to be challenging. How would you describe these portraits by Gilden? Are these mean-spirited, or simply just real?
Inked: Why I Love Tattoos
“I got my first tattoo at home. Just like that, on the sofa. I keep on going because there are so many good tattooists out there. It’s like collecting art. It’s an honor to wear their work.” Shifting from trashy to trendy, tattoos make the...
Rolling Stone to Christopher Street: 30 Years of Portraits
Rolling Stone’s former chief photographer Mark Seliger discusses his current series, “On Christopher Street,” while offering invaluable advice for aspiring portrait photographers.
Look Inside The New Yorker’s Photo Department
“It’s critical to develop a distinctive style—a visual stamp of sorts…When I’m considering an assignment, I usually think about someone’s style more than anything.” Inside The New Yorker’s photo department.