I approach photography as a method of reading the psychological architecture of the city. My work focuses on the tension between human fragility and the rational systems that shape modern life: grids, walls, signs, and calculated flows of movement.
I look for moments where the individual becomes almost invisible within the urban order, yet still resists through a gesture, a gaze, a brief pause, or a chosen direction. In my frames, the city is never a mere background; it is a rigid framework that measures, partitions, and disciplines human existence.
Photography, for me, is a way of decoding this silent structure — and of exposing the raw human realities that refuse to disappear.
