Right after the Fukushima nuclear plant accident, I found a blog about peacocks that were left in the evacuation zone, within the 20 km limit. I started imagining those peacocks, walking around the empty town with their beautiful wings spread. BK0056/ 250 × 99mm / gelatin silver print/ 2014 © Miho Kajioka
A big belly, my friend had. Hadn’t seen her for a long time. It was a beautiful afternoon on Hayama beach, 270.6km away from the Fukushima plant and it was the second summer from the accident. BK0057/ 198 × 245mm gelatin silver print/ 2014 © Miho Kajioka
“My trip to Japan was wonderful!” A lady told me that in Boston. “Come again” I was about to reply, but then I remembered about the Fukushima accident happened a month ago, so I didn’t. I felt the pain on my throat. My future image of Japan was totally deserted like a hell covered with dead plants. BK0065/ 189 × 103mm / gelatin silver print/ 2014 © Miho Kajioka
“Stop nuck!” We were hearing the demonstration, on a Sunday picnic. BK0072/ 110 × 106mm / gelatin silver print/ 2014 © Miho Kajioka
It says that Sendai became an economically boomtown with a lot of reconstruction works. BK0058/ 188 × 155mm / gelatin silver print/ 2014 © Miho Kajioka
“Hopefully the situation would be better by the cherry blossom season.” Many disaster victims said that to me. When the season came in Tokyo I drank a beer under the tree and thought about them. BK0059/ 172 × 87mm/ gelatin silver print/ 2014 © Miho Kajioka
My grandmother, who was diagnosed with dementia four years ago, doesn’t know about the earthquake, tsunami, Fukushima accident or anything. BK0045/ 94 × 122mm/ gelatin silver print/ 2014 © Miho Kajioka
“Many of our friends moved away from here so I am a bit sad.” Next to a kindergarten, where is 65 km away from the Fukushima plant, there was a temporary storage space for bags with contaminated soils. BK0055/ 150 × 125mm /gelatin silver print/ 2014 © Miho Kajioka
“We chose the way to walk ahead! The energy will come to us if we try!” This is from a letter written by a six years-old kid to his mother. They evacuated to Okinawa island. BK0028/ 123 × 220mm/ gelatin silver print/ 2014 © Miho Kajioka
I saw a juice shop with a sign 'All vegetables are from Japan.' BK0060/ 199 × 69mm / gelatin silver print/ 2014 © Miho Kajioka
Gaishas in Aizu, Fukushima. BK0073/ 140 × 51mm / gelatin silver print/ 2014 © Miho Kajioka
A research group caught butterflies in Fukushima and found out 12 % of them had abnormalities and the rate of the 2nd generation is much higher --- even worse in the 3rd generation. BK0064/ 99 × 169mm / gelatin silver print/ 2014 © Miho Kajioka
Born and raised in a country that is stable and rich with no wars, I was working to report news such as terror attacks, wars, disasters etc. And one day, the disaster that happened in my country became the top news of the world. Then, Gaddafi took over the top place. So it goes. BK0061/ 172 × 100mm / gelatin silver print/ 2014 © Miho Kajioka
Some specialists said that Okayama, my hometown is one of the safest places for earthquakes in Japan. All of the sudden, it became one of the most popular places to move in Japan from the east part. BK0040/ 120 × 100mm / gelatin silver print/ 2014 © Miho Kajioka
I think I have been waiting for a hero since then. BK0068/ 143 × 99mm / gelatin silver print/ 2014 © Miho Kajioka
“Thank you very much for coming here. Please take care of yourself,” almost everyone said that to us, who were interviewing disaster victims, feeling guilty for not knowing if that was really right things to do… BK0074/ 127 × 88mm/ gelatin silver print/ 2014 © Miho Kajioka
“According to the Chernobyl case, we will start seeing the visible effect of radiation on human bodies from five years after the accident” a specialist said. Then I walked in the glamorous Tokyo at night, and I felt dizzy with those gaps. BK0075/ 111 × 108mm / gelatin silver print/ 2014. © Miho Kajioka © Miho Kajioka
“This is my third time that tsunami washed away my houses!” said a man in his 80’s with a big laugh. “Not a big deal. I will just rebuild another one.” BK0076/ 150 × 215mm / gelatin silver print/ 2014 © Miho Kajioka