Self taught photographer exhibiting since 1990. Diane Fenster's art first received notice during the era of early experimentations with digital imaging. Her work has been called an important voice in the development of a true digital aesthetic. She views herself as an alchemist, using digital tools to delve into fundamental human issues. Her work is literary and emotional, full of symbolism and multiple layers of meaning. Her images have appeared in numerous publications on digital art. She has been guest lecturer at many seminars and conferences, her work has been internationally exhibited and is part of museum, corporate and private collections. Her images appear in numerous publications on digital art including the APERTURE monograph METAMORPHOSES: PHOTOGRAPHY IN THE ELECTRONIC AGE, WOMEN, ART AND TECHNOLOGY published by MIT press, ART IN THE DIGITAL AGE edited by Bruce Wands, School of Visual Art, NYC and her work appears on the ZONEZERO photography website curated by Pedro Meyer, her work has been internationally exhibited and is part of museum, corporate and private collections.

Recently however, Fenster has been moving away from the digital photomontage style that has brought her so much recognition and is venturing into an exploration of starker imagery that has its roots in toy camera photography, alternative process and photo-encaustic. Her work was exhibited in the 4th Biennale of Fine Art and Documentary Photography in Berlin, she was a finalist in the Alternative Process category of the 9th Pollux Awards, a finalist in the Alternative Process and Portraits categories of the 7th Julia Margaret Cameron Awards, a finalist in the Alternative Process and Fine Art categories of the 8th Julia Margaret Cameron Awards, included in the Illuminate exhibit curated by Elizabeth Avedon, the Alternative Process exhibit juried by Christopher James at the Center for Fine Art Photography and published in the DIFFUSION ANNUAL 2016.