Featured on LensCulture
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In his “love note” to his nanny, Kurt Tong weaves together personal and public histories to tell the story of Mak Ngan Yuk, one of the last of the self-combed women of China—a community of autonomous, unmarried women who rejected the customs of the era.
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UK-based photographer Kurt Tong weaves together pictures from his childhood and photographs of deteriorating public parks in contemporary China to create a lyrical meditation on time and memory.
Kurt Tong's Projects on LensCulture
Kurt Tong's Books
