Basically I build invented images trying to make them look real or credible in photographic terms. But I do not exactly pursue realism. It seduces me that the probable is based on the improbable.
I am interested in achieving an ambiguity and a certain mysterious or imprecise reading through the subtle association of divergent or convergent elements.
The construction of these images is determined almost at random, with a playful character, like a game with a certain pattern to follow at the beginning, in which I exercise my skill and creativity. I associate elements without a predetermined idea.
There is initially a blank canvas that challenges my vision, challenging the seen and the unseen. Then I conclude with an unsuspected image in its beginning. That feeling that before there was no image and after hours of development achieved something not premeditated generates me an amazing but very reserved pleasure.