This project started from an instinctive approach and that through its evolution moved towards a constructive approach. I started this project as part of my studies final work by black and white photographic substrates made in the middle of the night. One evening, after a conversion into color of one of the photographs I no longer wanted to look at my photographs in black and white. So, I changed my work 10 days before my presentation to the jury. I continued this work to make it grow. These are photographs made in such a way as to erase the primary appearance of the subjects in order to obtain compositions. I use a constituent element, but often eliminated from digital photography, the noise. In most cases, the technical parameters are intended to mitigate noise and provide neutral exposure. The current technological context allows me to use it as a component of my work. Following this journey and these experiences I obtain photographs that are no longer witnesses of a moment of reality as we know it and become witnesses of my way of looking, of feeling and transforming this reality into a new one. Given the notion of abstraction of reality according to my own point of view, these images do not have a single meaning or message but rather interpretations relating to each spectator. Each of these photographs are conceived from an idea but I do not hope in any way that the spectator will understand it. What interests me is the fact that the spectator can also play a role of creator through the expression of his own way to look.