Inspiration for my work has come from many different directions. The intricate negotiations between people and their surroundings explore many of the same themes that run throughout my work: sexuality and the subtle shadings of gender, the effects of time on the appearance of my subjects, and the fine line between masculine and feminine. Another multi-layered meaning of the subjects in my photographs represent social issues, class conflicts within society and immigration. Reading about social struggles that immigrants have gone through, I have been able to develop ideas and concepts for my portfolio. These struggles are about material, social and emotional survival. I discovered that I have many visions and sources of inspiration during the development of my ideas. I use the photo as anthropology and as an artists' aid to express myself. I want the spectator affected by it too. As a queer person and an immigrant in a masculine dominant culture, I am exploring my identity. Another layer of reference touches the question what it means to be queer and immigrant. Queer people, who wish to affirm both these sexual/gender identities and their membership of an immigrant community are faced with articulating their relationship to the mainstream. There are very little alternatives.