As in Monet’s Nymphaea studies in this series we have the museum represented as a subject at different times of the day and the year. The museum reflects the communal work of interpretation as a hive, where we come and go elaborating meaning in different ways, and sometimes changing it radically. The protective perspex for the ‘scale model’ gathers reflections and perspectives of time and space as (Hi)story does. This "study” takes place at the Museum of Making in Derby. This is located in the oldest Silk Mill in the UK, considered the place where industrialism was born, the scale model echoes the importance of the role of the nearby railway later in (Hi)story .The work is also a meditation on the photographic medium and my interest in the integration of different perspectives in one work, and stories with an archaeological, transversal, almost simultaneous sense of time, and coexistence.