Oyster Mountain

將澳門曾經繁榮的養蠔產業作為“考古”的對象，《濠境》系列摄影藉由低視角、居中式的構圖將積聚的野生蠔礁塑造成峻偉的山島，而川流不息的海水在相机的長曝光中化作層層的霧靄。作品以黑白攝影的簡樸和具有歷史文化在地性意義的主題去回應中國遠古輝煌的山水畫傳統，既展現出消逝在歷史浪潮裡的遠古濠境，也寄托着濠鏡澳拂去浮華、返璞歸真的愿景。 Taking Macao's once-thriving oyster farming industry as the theme of "archaeology" exploration, "Oyster Mountain" series took advantage of the low-angle viewpoint and centered composition to capture the oyster reefs as majestic mountains with the moving waves turned into fog. The work reveals the connection between classical Chinese landscape painting with black and white photography. It symbolics the significance of the cultural traditions which have been slowly disappearing in the process of modernization for a glitz and glamour Macao and remind the viewers to maintain a balance between environmental protection and economic growth.