Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who arrived in the United States as refugees. Born in Latvia and Lithuania, my parents spent many years after the end of World War II in displaced-person camps in Germany before they were allowed to emigrate to the United States.
“Displacement” captures the traces of this existence by drawing on historical refugee letters as well as my photographic documentation, combining past and present in a series of laser cut images on photographic paper. Using my documentation of the camps, I am laser cutting plea letters the refugees were sending from the photographs. My family’s displacement, which I am re-imagining and restoring in this body of work, is part of a long history of uprooted peoples for whom the idea of “home” is contingent, in flux, without permanent definition and undermined by political agendas beyond their control.